A Defense of Comic Sans

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Connare thought it was an inappropriate use of Times New Roman, a font that feels official and formal not friendly. This actually happened when Cleveland Caveliers owner, Dan Gilbert wrote a letter regarding the dramatic departure of LeBron James, in Comic Sans — resulting in a. In a 2010 research article showed disfluency could lead to improved retention and classroom performance. Everyone loves to hate this font.

Both Have Unmodulated Strokes But they have their similarities as well. He has many years experience with web sites and applications in business, technical, and creative roles.

Why You Hate Comic Sans

The child-like handwriting font is so infamous, there is. In myI teach you how to battle font anxiety, but I can tell you right now Comic Sans is usually not a good choice. What exactly makes Comic Sans so horrible. I recently gave a talk at — with less detail than what follows — about just why it is that Comic Sans is so hated: Comic Sans vs. First of all, I should acknowledge that comparing these fonts is a bit apples to oranges which are both fruits, mind youin that they both convey completely different moods: Helvetica looks strong and serious, and Comic Sans is usually used in situations where one wants to look playful and casual. Both Have Unmodulated Strokes But they have their similarities as well. Comic Sans also has an unmodulated stroke. Before printing was available in the West, scribes lettered Bibles beautifully and patiently by hand, using a flat-tipped pen, held at a fixed angle, which influenced the form of those letters — resulting in a modulated stroke. The forms of most sans-serif fonts are not influenced by drawing tools. For example, notice how the stroke on Helvetica gets comic sans font where the shoulder meets the stem on this letter n. This helps to give the letter a more even visual weight. Notice how Comic Sans is not this way. The ironic thing about this distinction is that Comic Sans is actually influenced from a drawing tool: a round, felt-tipped pen or marker; but, the stroke of this tool is unmodulated. Meanwhile, the letterforms of Helvetica are rationalized from predecessors, without apparent influence of a drawing tool. This mismanagement of visual weight is the main issue that makes reading Comic Sans an unpleasant experience. Letters or blocks of text that are free from disproportionately light or heavy spots allow the letterforms themselves to shine through and be read easily. This example shows how a block of text set in Helvetica differs in texture from a block of text set in Comic Sans. First, notice the general variation of lightness and darkness comic sans font the lines of type. The Helvetica is a more uniform grey, while the Comic Sans varies widely, with some very dark spots scattered throughout the body of text. When compared to Garamond and Helvetica, we can get some idea of why. Helvetica maintains balance by compensating for its absence of stroke modulation by having a larger eye and a comic sans font aperture. The letterfit of Helvetica allows for it to inherently comic sans font decent kerning tables. So, the typographic fundamentals of Comic Sans are very poor as used in high-resolution situations, but Comic Sans was never intended to be used in this manner, and that is part of why its considered such a bad font. Once the font was in the hands of Windows 95 users, there was no telling how people would use it. Now, it was going to be printed out on bake sale flyers, birthday party invitations, and even business cards. Anti-aliasing is the technology that makes fonts looks smooth on-screen. In fact, when compared toComic Sans fares quite well in terms of readability. Where the Hate Comes From: The Wrong Place at the Wrong Time So, the story of Comic Sans is not that of a really terrible font, but rather of a mediocre font, used incorrectly on a massive scale. Windows 95 was the first operating system to really hit it big. Just as computers were starting to pop up in nearly every home in America, Windows 95 was finding itself installed on all of those computers, and with it, the font Comic Sans. So now, nearly every man, woman, child, and bake sale organizer find themselves armed with publishing power unlike civilization had ever seen; and few of them really had any design sense. Comic Sans Rode a Wave: Desktop Publishing It used to be that if you lost your kitten, and wanted to make a poster, probably the most efficient way to make a flyer would be to draw one up with magic marker, cut out a picture of the cat, and go down to the nearest supermarket to make copies of it at 15 cents apiece. Then, you would post them up in your neighborhood; and — like a caveman — you would pick up a phone, call the newspaper, and place comic sans font ad to help find your kitten. But now that you had Windows 95, a personal computer, and a printer, you could use Word to make your lost kitten poster, and print it out at home. You could use any font you wanted. So, guess what font makes you think about your lost kitten. This is a monumental moment in history — right up there with the invention of printing — for common people to suddenly have the power to typeset and print documents. No big deal for awhile: some people got to enjoy making their own Christmas cards, birthday party invitations, etc. But then, gradually, over the next 10 years or so, the internet got more and more popular. Now, any one person could write a message that could potentially be read by millions, in Comic Sans. This actually happened when Cleveland Caveliers owner, Dan Gilbert wrote a letter regarding the dramatic departure of LeBron James, in Comic Sans — resulting in a. This made the production of high quality print design much cheaper, and much more viable for businesses to spend money on. So, with the increased demand for Graphic Design services, Design schools started churning out graduates at an unprecedented pace. Terrible font choices, poor kerning, haphazard color choices, and stupid concepts suddenly assault your eyes once you learn about design principles, color theory, typography, and concept development. A large portion of conversations between myself and other self-righteous design students were — and still are — about how terribly designed everything is: campus wayfinding signage, the t-shirt for the latest toga party, and yes, lost kitten posters. But most of these design students were — and still are — blind to what a monumental, mammoth, incredible, revolutionary, huge thing was occurring. Their grandmother could typeset and print out as many lost kitten posters as she wanted. This really started to encroach on the territory of these fresh design graduates, many of whom were finding being a Graphic Designer to really suck: a client may have her nephew design a brochure, and hire you to clean it up, or worse yet — take a stab at it herself. Meanwhile — this is the last decade or so — the same invention that made Graphic Design easier was making it way harder: print was dying, and the web was growing. Now, clients are trying to direct designers themselves, and the designers need to learn how to code web pages just to stay relevant. So, you see, Comic Sans is an archetypal enemy of the Graphic Designer. A natural reaction to being threatened is violence, and the hatred for Comic Sans is arguably violent. The spread of Comic Sans — a pretty bad font — is the result of the spread of an inarguably good technology. Just as the advent of movable type eventually led to comic sans font spread of literacy, the advent of personal publishing should lead to the spread of design literacy; and with it, a populace too informed to stoop to using Comic Sans. Want to learn more about choosing the right font?.

Check out this blog on: Most people hate Comic Sans because it is overused and. A case in Monaco with a label in Comic Sans A 2010 study involving presenting students with text in a font slightly more difficult to read found that they consistently retained more information from material displayed in so-called disfluent or ugly fonts , , Comic Sans Italicized were used than in a simple, more readable font such as. A more interesting reason designers hate Comic Sans has to do with their critique of the font itself. I recently gave a talk at — with less detail than what follows — about just why it is that Comic Sans is so hated: Comic Sans vs. The article stated that disfluency can be produced merely by adopting fonts that are slightly more difficult to read.